All about Static of the Gods: Post Details
So, I’m posting a take of a dry drum track of one of our new songs called (for now anyway) “Talk You Down”. I don’t think anyone has heard this song as we have yet to play it live, so consider this a sneak peak. What you hear is a quick drum mix that has no effects or other processing; it’s just how the drums sounded at Hounds Hollow. Well, that is not entirely true, because i did use Universal Uadio’s LA2A plugin to boost the volume a bit to get the track closer to a “Mastered” level, but no compression was applied, I just increased the gain. It will still be quieter than something you hear on the radio, so turn it up! In the track, you’ll hear a lot of what the room at Hounds Hollow sounded like, as well as all my little performance quirks.
When I record myself playing the drums, i usually try to record what i feel are 8 to 10 good performances, and then listen back to them to see which take actually feels and sounds the best. The take I’ve included here is one of the first ones I recorded of this song.
The final drum sound will most likely be a little different than what you’re hearing, in that once I start mixing the song, the drums will be mixed properly (I’ll probably use less room sound) as well as I’ll be adding compression, EQ, maybe a little reverb here and there, and maybe a few other tricks. Once all the other tracks (bass, guitars, keys, vocals, etc…) are added, then the drums will be finessed so everything works together. What you’re hearing is the foundation to the song, and where it all starts.
Without further ado:
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Now on to the details of the recording if anyone is curious.
Drums:
DW collectors series kit:
- Bass Drum: 16″ x 23″ (yes, 23″ – not 22 or 24. I don’t know if they still do, but DW made a small group of limited edition sets with that bass drum size. It sounds and plays great, but is near impossible to find heads for, but that story is for another time)
- Rack Tom: 8″ x 12″ w/Evans EC2 coated head (which i don’t like at all, but it’s all i had at the time. that’s what i get for trying something new in the middle of vermont and having no backup – you live and you learn)
- Floor Tom: 14″ x 16″ w/Evans EC2 coated (same as above)
- Snare: 6 1/2″ x 14″ Dunnett Titanium w/Evans Genera Dry
Microphones:
As far as microphones go, we had a pretty motley collection, but they all worked out pretty well. Most of the mics we used are relatively inexpensive and easy to find. It’s easy to fall into the trap of thinking that simply sticking a $3,000 Neumann in front of something will turn something that sounds crappy into gold – but i’ve tried and it doesn’t work. As surprising as it might seem, those mics don’t have any magical properties. And unless you’re dealing with a pristine signal path, with top of the line Preamps, DAC’s, etc… you reach a point where the difference will get negated; besides, isn’t it all about performance anyway? In the end, we decided to save the cash, and use what mics we had (for the most part – we rented the 414’s).
- Overheads: matched pair AKG c 414 – about 3′ above cymbals, about 6′ apart, aimed at, and equidistant to the center of snare, about 1′ in front of snare
- Room Mics: Shure KSM27, Groove Tubes Large Condensor (model number escaping me at the moment) – about 15′ in front of drums, about 12′ apart
- Bass Drum inside: Audix D6 – mounted to shell, about 4″ from batter head, centered between the beater and the shell
- Bass Drum outside: AKG D112 with Earthworks KickPad – 1″ off resonant head, 1/2 way between center and edge
- Snare Top: Shure SM57
- Snare Bottom: Shure SM57
- Hi-hat: Rode NT5
- Ride: Rode NT5
- 12″ Tom: Audix D2
- 14″ Tom: Audix D4


The signal went from microphone into Presonus DigiMax FS’s for pres, then into Presonus Firestudio, and finally into Logic. I use Logic for all our recordings because it’s a great program (though a little buggy at times), and makes comping tracks a breeze. Besides, you can assign a pretty little icon on each track for whatever instrument it is – what more can you ask for?
Once we start to add other instruments on top of the drums, I’ll post more samples of this songs as it comes together.
-Pietro

Drums sound good, can’t wait to hear everything
I think I comprehended about every 7th or 8th word of what you wrote, I have had very similar conversations about gear with Steve on several occasions, comprehension during those was equally anemic.
Posted on April 22, 2009 at 6:36 pm.
Glad to hear that i sounded like i know what i’m talking about. Now all i have to do is back that up – it can’t be that hard can it?
Posted on April 22, 2009 at 9:01 pm.